From July 3 to 28, I am exhibiting 9 gouache paintings at the City Art Gallery in San Francisco. Opening, July 5, Friday, 7-10 pm. Here are the pieces I am showing. They are vibrant and colorful, though modest in scale, the emotions are big and bold.
A quote from Karl Marx “All that is solid melts into air, all that is holy is profaned” perfectly capture our sad epoch and this monochromatic painting of a disintegrating city/landscape reflects such pessimistic sentiment.
On December 2 and 3, fourteen artists and artisans presented paintings, drawings, ceramics, mosaics, and jewelry at Makers Workspace Studio during the East Bay Open Studios (EBOS). It was a successful communal space. I am particularly pleased that my friend Edith Ng presented her beautiful ceramics to the public for the first time, as our guest artist. Her debut brought tremendous energy and many guests to our studio and all of us benefit from her presence.
During the EBOS event, I was able to sell more than a dozen gouache and ink paintings. Here a some of these works:
I am so grateful for all the support I received. Thank you!
My 2022 oil painting, Disperse, captures a hallucinatory moment of a nighttime landscape — between the silhouettes of two monumental and interlocking trees, a group of tiny figures scurrying by, running away from their familiar ground, their fates, their tormentors or captors. The specificities are intentionally omitted, so as to leave the viewers to interpret freely and to fill in the missing details, though the title does hint at diaspora stories in the headlines of late.
Disperse, oil on canvas, 20″x30″, 2022
This piece will be part of the juried exhibition “Within Sight or From Imagination” at GearBox Gallery, 770 West Grand Ave, Oakland, CA 94612 (August 10 – September 9, 2023). Juror: Jeremy Morgan.
Opening Reception: August 12, Sat., 1 to 4 pm | Juror’s talk: September 2, Sat., 2 pm
In July, I will return to the wonderful co-op gallery in San Francisco: City Art Gallery, which “opened its doors at 828 Valencia St. in 1998 and has remained a constant in the radically changing Valencia corridor.”
Exhibition date: July 5-30
Reception & the City Art’s 25th Anniversary Celebration: July 7, Friday, 7-10 pm Location: 828 Valencia St, San Fransisco (between 19th & 20th)
Gallery Hours: Sun, Wed-Thursday 12-9 pm, Fri/Sat 12-10 pm
My gallery sitting shifts: July 16, Sat, 12-4:30 pm, July 22, Sun, 12-5 pm
Below are the sample of the pieces I will exhibit:
Recently, I started to explore painting with black India ink on synthetic, non-absorbent Yupo paper, whose water-resistant nature can be exploited and allow some interesting effects when the ink is washed, sprayed, scrubbed, and removed. I am happy with the results; these new paintings look richly layered, light and shadow contrasted in a complicated and mysterious way, and the flowing ink traces are often unpredictable, playful, and evocative.
Petals, India Ink on Yupo Paper, 11”x14″, 2023
Petals, India Ink on Yupo Paper, 11”x14″, 2023
Petals, India Ink on Yupo Paper, 11”x14″, 2023
Dandelions, India Ink on Yupo Paper, 14”x11″, 2023
Dandelions, India Ink on Yupo Paper, 14”x11″, 2023
Dandelions, India Ink on Yupo Paper, 14”x11″, 2023
C Major, India Ink on Yupo Paper, 9”x12″, 2023
C Major, India Ink on Yupo Paper, 9”x12″, 2023
C Major, India Ink on Yupo Paper, 9”x12″, 2023
Scour, India Ink on Yupo Paper, 9”x12″, 2023
Scour, India Ink on Yupo Paper, 9”x12″, 2023
Scour, India Ink on Yupo Paper, 9”x12″, 2023
Ripples, India Ink on Yupo Paper, 11”x14″, 2023
Ripples, India Ink on Yupo Paper, 11”x14″, 2023
Ripples, India Ink on Yupo Paper, 11”x14″, 2023
Resting, India ink on Yupo paper, 11″x14″, 2023
Resting, India ink on Yupo paper, 11″x14″, 2023
Resting, India ink on Yupo paper, 11″x14″, 2023
Orbit, India ink on Yupo paper, 11″x14″, 2023
Orbit, India ink on Yupo paper, 11″x14″, 2023
Orbit, India ink on Yupo paper, 11″x14″, 2023
Stone Flower, India Ink on Yupo Paper, 12”x9″, 2023
Stone Flower, India Ink on Yupo Paper, 12”x9″, 2023
Stone Flower, India Ink on Yupo Paper, 12”x9″, 2023
Diffuse, India Ink on Yupo Paper, 14”x11″, 2023
Diffuse, India Ink on Yupo Paper, 14”x11″, 2023
Diffuse, India Ink on Yupo Paper, 14”x11″, 2023
Luxuriant, India Ink on Yupo Paper, 12”x9″, 2023
🔴 Sold
Luxuriant, India Ink on Yupo Paper, 12”x9″, 2023
🔴 Sold
Luxuriant, India Ink on Yupo Paper, 12”x9″, 2023
🔴 Sold
Pervade, India ink on Yupo paper, 14″x11″, 2023
Pervade, India ink on Yupo paper, 14″x11″, 2023
Pervade, India ink on Yupo paper, 14″x11″, 2023
The View, India Ink on Yupo Paper, 12”x9″, 2023
The View, India Ink on Yupo Paper, 12”x9″, 2023
The View, India Ink on Yupo Paper, 12”x9″, 2023
“Luminous” is a translucent landscape in the midst of a thorough purification – loaded yet still airy rain clouds release a generous yet gentle downpour, which rushes into the solid ground and continues to overflow in the already soaked terrain. The dark clouds, and darker soil, rendered the space in between even brighter, as if backlit, glowing, and luminous. Above the warm earth, the cool rain and clouds leave a refreshing impression.
Luminous
9” x 12”
Gouache on paper
Completed in 2022
“Autumn Rain” is a semi-abstract inspired by a rainy landscape. I endeavored to capture the pleasant wetness enveloping the fields and hills, and the wonderful interplay of cool and warm hues in the rich fall season. Bold and patchy strokes obliterated the contours of easily identifiable objects and rendered the landscape into almost pure patterns and rhythms.
Autumn Rain
9” x 12”
Gouache on paper
Completed in 2021
“Immaculate” aptly summarizes its subject of the painting – several ethereal white lilies floating in an opaque water body, whose pattern resembles the other-worldly images transmitted by the great Hubble Space Telescope. These dreamily floating flowers and their irregularly patterned background, mesmerize and pull the viewers into the depth.
This painting was published by Your Impossible Voice as the cover art in their 24th Issue in Spring 2021.
Immaculate
gouache on paper
9″x12″
2020
An open, terraced, and desiccated field, dominated by a truss tower of industrial scale, dwarfed by the vault of leaden clouds, served as the backdrop of a small-scaled human drama, which centered on a lone figure looking toward the city silhouette in the distance, as if contemplating his or her future, in the region unknown. All these formed the subject of my landscape painting, Prospect, which suggested some inner turmoil without resorting to gestural embellishments – understated but impactful. I am pleased with the contrast between the vast landscape and the insignificant figure who got lost amid the cold and uninviting surroundings.
