Uncertain “Prospect”

An open, terraced, and desiccated field, dominated by a truss tower of industrial scale, dwarfed by the vault of leaden clouds, served as the backdrop of a small-scaled human drama, which centered on a lone figure looking toward the city silhouette in the distance, as if contemplating his or her future, in the region unknown. All these formed the subject of my landscape painting, Prospect, which suggested some inner turmoil without resorting to gestural embellishments – understated but impactful. I am pleased with the contrast between the vast landscape and the insignificant figure who got lost amid the cold and uninviting surroundings.

Prospect, oil on canvas, 22"x28", 2021

Touching Landscape Painting – “Still Water”

Several years ago, while traveling to Seattle, I encountered an unusual man-made lake, whose smooth surface was dotted with numerous bleached tree stumps, scattering across large swatches of the water surface. These turned out not to be tree stumps, rather relics or ruins of former workers’ dormitory sheds, which were abandoned and flooded with the change of the industries. The moving and melancholic image of the disappeared past haunted me ever since, and later the stumps-dotted lake and the ghost town underneath became the subject of my landscape oil painting Still Water, aiming to capture the poignancy of the sight.

Still Water - 靜水 - Stilles Wasser
Still Water
Oil on Canvas
30” x 40”
Completed in 2020

Featured Painting – Silent Party

Starting this horizontal group portrait in a somewhat more upbeat time, employing a colorful palette, I aimed to create a group of people engaged in dialogues and interactions. However, during the painting process, those figures took more and more an air of despondency, and the vibrant colors started to become untruthful and had to fade. A couple of months later, in the midst of the COVID-19 pandemic, when the piece was finally completed, it had morphed into a monochromatic nightmarish hallucination, featuring some sketchily painted heads, shrouded in white gauze, turning into different directions, strikingly silhouetted against pitch dark background, and emoting resignation, sadness, and anger. Though compressed in space, they seemed hardly related to one another, and remained in utter isolation; a party without conversation. To their left, a jumble of cantilevered structures protruded from the distance, adding an atmosphere of foreboding and disintegration. This painting ended with a sad wailing note, aptly echoing the signs reverberating in our daunting time.

Still Party - 沉寂派對 - Ruhige Partei
Silent Party
18”x36”
Oil on Canvas
Completed in 2020

Featured Painting – Diptych “19”

Missing making art in a community and the interaction with fellow artists, I decided to participate in a painting workshop, and one of the assignments was a small diptych, with one of them to have more and the other less paint. I did my best to capture the fear and resilience of people under threat from Coronavirus. This diptych is aptly titled “19”.

I hope that this small diptych, double portraits of a mask-wearing man and a woman, alert, vigilant, a tad fearful, yet resolute, titled 19, would give viewers a sense of fellowship, and fortify our resilience.

19

19
14”x11” & 14”x11”
Oil on Canvas
Completed in 2020

Featured Painting – Emergence

At first glance, Emergence is a calm sliver of routine life due to the simplicity of its composition and color scheme; upon closer inspection, what emerged from this picture was not so simple, rather it revealed something indecipherable and with a hint of sinisterness: against a sparse backdrop, a few curious looking, semi-translucent figures floated like ghosts from behind thin vertical bars, which made the whole landscape reminisce of a jail cell, despite the openness of those bars. What was emerging? Inner strength? Outside menace? Guilty conscience? Or stoical indifference to anyone’s fate?

Emergence / 浮現 / Entstehung
Emergence
22” x 28”
Oil on Canvas
Completed in 2019

Featured Painting – Desolate Souls of Main Street

In recent decades, the economic inequality in the world, propelled by the ever-greedy corporations and individuals, and aided or even championed by purchased colluding governments of various dominance and ideologies, has widened drastically, and the divide between the haves and have-nots has become such an insurmountable gulf that the people behind are increasingly unable to sustain themselves, let alone catching up with those sitting on top of the socioeconomic pyramid. My The Desolates Souls of Main Street attempts to give a tiny protesting voice to the voiceless and faceless downtrodden, whose dire situation, in contrast to the mind-boggling glitzy world of the gilded, is as heart-wrecking as it is damning.

Desolate Souls of Main Street - 大街上的荒涼之魂 - Trostlose Seelen der Hauptstraße
Desolate Souls of Main Street
22” x 28”
Oil on Canvas
Completed in 2019

Featured Painting – Weave

My small gouache painting Weave served as a little window to a bigger universe, literally and figuratively, opening to a vast expanse of sky and ocean, which emerged from alternating tall windows and hedges in the foreground. The painting is quite still, as it was dominated by the forlorn and hushed landscape; yet it was also dynamic, with the sky streaked with dark clouds, and blue ocean interrupted by light and dark waves, and the hedges grew wild and almost hallucinative, twisting their relationship to the windows and the outside world into optical confusion. One small relief was the disc of the sun floating atop, providing a counterpoint to the dissonance below, even though its presence, obscured somewhat by wisps of clouds, was rather bleached.

Weave / 編織 / Webart

Wave
11” x 14”
Gouache on Paper
Completed in 2019

Featured Painting – Dream Forest

Dream Forest continued my exploration of monochromatic paintings consisting of interlocking patterns and shades, some simple, some more intricate. This small gouache painting depicted an imaginary forest at night time, when moon light shimmered over truncated trunks and branches, contrasting starkly with dark surrounding. Also, the image somehow resembled a microscopic view of organism, a tiny sliver of macrocosm.

Dream Forest / 夢幻森林 / Traumwald
Dream Forest
7” x 11”
Gouache on Paper
Completed in 2018

Featured Painting – Away

Away is a fantastical portrait of a young man, whose striking features outlined in broad and loose strokes, staring at viewers unflinchingly. Lifting the portrait beyond realism realm were two white patches hovering just below the sitter’s eyes, as if two small wings had grew out of his deep thoughts and were ready to bear him away, from the confinement of the tight space allotted to him, from the heavy vertical bars on both sides, and from the ruined bridge and houses on the corners of top right and lower left, respectively, testaments of some traumatic past.

Away / 离去 / Weg
Away
Oil on Canvas
24” x 20”
Completed in 2018

Featured Painting – C Major

A horizontal canvas divided into two zones, upper part is a white space being invaded by dark clouds from top, while the lower half uniformly dark. Connecting and separating these two spaces are five slightly wilting white flowers, caught in the no man’s land between these contrasting zones, with some of these flowers disintegrating and dipping further into the innermost of the dark space, like invading roots grew into hidden soil. This highly contrasting painting, C Major, depicts a world which was both harmonious and polarized, and the little exchange of these two worlds simultaneously terrifies and entices. Additional layers of lines, spots, and scratch marks, give the painting a patina of an aged photograph.

C major, one of the most common key signatures used in western music, was often the key for many Masses and settings of Te Deum in the Classical era, such as works by Haydn and Mozart. Without flats and sharps, C Major perfectly encapsulates the seemingly absolute separation of order and chaos. Though a bit dated and fading, like an old family album, we still yearn for it, for its orderliness and predictability, which seems forever beyond reach; in today’s world, no matter which key dominates, dissonance persists.

C Major / C大調 / C-Dur
C Major
Oil on Canvas
20” x 30”
Completed in 2018