Featured Painting “Boyhood”

Depicting human beings is both challenging and exciting, because of the complexity of the human emotions, and the viewers’ familiarity with expressions and postures associated with these emotions, which suffers no falsehood.

My recent Boyhood attempted to capture the instance when a confident and cocky urchin, insistently pressed himself upon the viewers, announcing his presence. Though a little naughty, he still possessed his innocence, and his wonderment at the broader world surrounding him was palpably touching, and hopefully would viewers of their tender ages.

The background was sparse, and open, allowing much space for the boy to occupy, except for a pair of moving legs towards the center space and seemingly poised to displace the boy. Perhaps, it was the man he was to become. The confluence of presence and future was both touching and a bit unnerving.

Boyhood - 少年時代 - Kindheit
Boyhood
28”x22”
Oil on Canvas
Completed in 2020

Featured Painting “Hordes”

My Hordes is one of several paintings that examines herd behaviors of small objects. Resembling new sprouts on thin stalks, or small moths or butterflies, or microbes, here they sway about and dance rather coquettishly against an almost inviting orange-hued background. Though less menacing compared to those in Whirring, they still manage to stir some unease regarding things invisible, during our current protracted Coronavirus pandemic.

Hordes - 群落 - Horden
Hordes
20”x30”
Oil on Canvas
Completed in 2020

Featured Painting – Silent Party

Starting this horizontal group portrait in a somewhat more upbeat time, employing a colorful palette, I aimed to create a group of people engaged in dialogues and interactions. However, during the painting process, those figures took more and more an air of despondency, and the vibrant colors started to become untruthful and had to fade. A couple of months later, in the midst of the COVID-19 pandemic, when the piece was finally completed, it had morphed into a monochromatic nightmarish hallucination, featuring some sketchily painted heads, shrouded in white gauze, turning into different directions, strikingly silhouetted against pitch dark background, and emoting resignation, sadness, and anger. Though compressed in space, they seemed hardly related to one another, and remained in utter isolation; a party without conversation. To their left, a jumble of cantilevered structures protruded from the distance, adding an atmosphere of foreboding and disintegration. This painting ended with a sad wailing note, aptly echoing the signs reverberating in our daunting time.

Still Party - 沉寂派對 - Ruhige Partei
Silent Party
18”x36”
Oil on Canvas
Completed in 2020

Featured Painting – Diptych “19”

Missing making art in a community and the interaction with fellow artists, I decided to participate in a painting workshop, and one of the assignments was a small diptych, with one of them to have more and the other less paint. I did my best to capture the fear and resilience of people under threat from Coronavirus. This diptych is aptly titled “19”.

I hope that this small diptych, double portraits of a mask-wearing man and a woman, alert, vigilant, a tad fearful, yet resolute, titled 19, would give viewers a sense of fellowship, and fortify our resilience.

19

19
14”x11” & 14”x11”
Oil on Canvas
Completed in 2020

Featured Painting – Emergence

At first glance, Emergence is a calm sliver of routine life due to the simplicity of its composition and color scheme; upon closer inspection, what emerged from this picture was not so simple, rather it revealed something indecipherable and with a hint of sinisterness: against a sparse backdrop, a few curious looking, semi-translucent figures floated like ghosts from behind thin vertical bars, which made the whole landscape reminisce of a jail cell, despite the openness of those bars. What was emerging? Inner strength? Outside menace? Guilty conscience? Or stoical indifference to anyone’s fate?

Emergence / 浮現 / Entstehung
Emergence
22” x 28”
Oil on Canvas
Completed in 2019

Featured Painting – Quarry

Eerie stillness was a sense I tried to convey when I made the oil painting, Quarry, which was bleached of colors, as if they would have been intrusive in such a disused quarry, which seemed demanding viewers to hold breaths, and surrender to an overwhelming hush and foreboding, closed in by the knife-sharp white cliffs, and the deep pool of inky dead water captured in the middle. Nature, ravaged.

Quarry / 採石場 / Steinbruch
Quarry
24” x 30”
Oil on Canvas
Completed in 2019

Featured Painting – Desolate Souls of Main Street

In recent decades, the economic inequality in the world, propelled by the ever-greedy corporations and individuals, and aided or even championed by purchased colluding governments of various dominances and ideologies, has widened drastically, and the divide between the haves and have-nots has become such an insurmountable gulf that the people behind are increasingly unable to sustain themselves, let alone catching up with those sitting on top of the socioeconomic pyramid. My The Desolate Souls of Main Street attempt to give a tiny protesting voice to the voiceless and faceless downtrodden, whose dire situation, in contrast to the mind-boggling glitzy world of the gilded, is as heart-wrecking as it is damning.

Desolate Souls of Main Street - 大街上的荒涼之魂 - Trostlose Seelen der Hauptstraße
Desolate Souls of Main Street
22” x 28”
Oil on Canvas
Completed in 2019

Featured Painting – Dream Forest

Dream Forest continued my exploration of monochromatic paintings consisting of interlocking patterns and shades, some simple, some more intricate. This small gouache painting depicted an imaginary forest at night time, when moon light shimmered over truncated trunks and branches, contrasting starkly with dark surrounding. Also, the image somehow resembled a microscopic view of organism, a tiny sliver of macrocosm.

Dream Forest / 夢幻森林 / Traumwald
Dream Forest
7” x 11”
Gouache on Paper
Completed in 2018

Featured Painting – Away

Away is a fantastical portrait of a young man, whose striking features outlined in broad and loose strokes, staring at viewers unflinchingly. Lifting the portrait beyond realism realm were two white patches hovering just below the sitter’s eyes, as if two small wings had grew out of his deep thoughts and were ready to bear him away, from the confinement of the tight space allotted to him, from the heavy vertical bars on both sides, and from the ruined bridge and houses on the corners of top right and lower left, respectively, testaments of some traumatic past.

Away / 离去 / Weg
Away
Oil on Canvas
24” x 20”
Completed in 2018

Feathered Oil Painting – Interlocked

A landscape as an enigma is the impression of my monochromatic oil painting, Interlocked, which depicts a semi-abstract, difficult to decipher landscape, under the threat of heavy and broadly zigzagged clouds in the upper region, while underneath, an orderly and calm swatch of staggered and slightly angled roofs, indicates order, and furthermore, social hierarchy and constraints. The dripping liquids permeating the landscape lends the notion of connectedness and the interlocking nature of the environment, natural or man-made.

Interlocked / 交錯聯鎖 / Verschränkt
Interlocked
Oil on Canvas
30” x 24”
Completed in 2018