My first successful pastel painting, Typhoon, is an abstract piece inspired by devastating typhoons unfortunately have been creating ever-heavier havoc recently, due to the undeniable climate change. Exploring spatial relationships, subtle variations of tones and shifting of patterns, I tried to capture the something unpredictable and the menacing. Typhoon / 颱風 / Taifun Pastel on Paper 8.5” x 11” Completed in 2015
This painting is currently being exhibited at Expressions Gallery in Berkeley, in a show aptly titled “Into the Future”.
I don’t consider myself as a colorist; yet, sometimes, I managed to utilize some vibrant colors to create paintings with vibrant colors, bold, striking, yet harmonious, such as my 2003 oil painting, Birds and Men.
With that painting, and several others made in 2003, I started my Apocalypse Series, intended to document human sufferings inflicted by reckless or repressive political, religious or cultural forces. The direct impetus to create such series was the impending invasion of Iraq, led by George W. Bush, Dick Cheney, Tony Blair, Condoleezza Rice, and Colin Powell, et. al.
As stated in my standard bio: “Life is a harsh experience, yet it is beautiful. Art ought to be from life, and above life. To merely document surfaces is not enough: I want to grasp what is behind, which to me is far more compelling and worthwhile.
As with many artists, my early work is grounded in realism, and evolved into a style that retains a representative cast but rejects slavish naturalism. I immerse myself in the patterns and rhythms of forms, particularly the contradiction between the surface beauty and harsh subjects, and from these foci has formed a distinctive style. The subject matter of my work ranges from portraiture and landscape/cityscape, to allegories and abstraction.”