My monochromatic painting Procession is a visually engaging and topically challenging work, which depicts a group of fantastic birds, treading despondently in a nondescript and barren landscape, carrying a dead companion in the middle of their solemn funeral procession. The overwhelming sadness was manifested in the starkly contrasted white and black color scheme, and the bend and stretched postures of those dejected birds, from gigantic to tiny. The loose brushstrokes and the lack of the last measure of definition, also contributed to the unreal and dreamy atmosphere.
I don’t consider myself as a colorist; yet, sometimes, I managed to utilize some vibrant colors to create paintings with vibrant colors, bold, striking, yet harmonious, such as my 2003 oil painting, Birds and Men.
With that painting, and several others made in 2003, I started my Apocalypse Series, intended to document human sufferings inflicted by reckless or repressive political, religious or cultural forces. The direct impetus to create such series was the impending invasion of Iraq, led by George W. Bush, Dick Cheney, Tony Blair, Condoleezza Rice, and Colin Powell, et. al.
As stated in my standard bio: “Life is a harsh experience, yet it is beautiful. Art ought to be from life, and above life. To merely document surfaces is not enough: I want to grasp what is behind, which to me is far more compelling and worthwhile.
As with many artists, my early work is grounded in realism, and evolved into a style that retains a representative cast but rejects slavish naturalism. I immerse myself in the patterns and rhythms of forms, particularly the contradiction between the surface beauty and harsh subjects, and from these foci has formed a distinctive style. The subject matter of my work ranges from portraiture and landscape/cityscape, to allegories and abstraction.”