Bird Painting “Crow”

Crows are fascinating animals – omnipresent, prophetic and somewhat sinister. There were many crows hover around my neighborhood and quite often I was struck by the peculiar complex air they exude when they perched high on telephone poles, which dotted and dominated the bleak urban/suburban landscape of my environ.

I was moved by such vision to create a painting, titled simple Crow, depicting a lone crow in a forlorn urban space, aiming to capture such leaden atmosphere and desolate melancholy.

Crow / 烏鴉 / Krähe, Oil on Canvas, 24" x 18", Completed in 2009

Crow / 烏鴉 / Krähe
Oil on Canvas
24″ x 18″
Completed in 2009

Now, this Crow has been shipped to San Diego, for a show titled “The Crow Show: An Homage to The Raven” in Studio Door Gallery.

Exhibition Dates: February 2 – 27, 2015 Mission Valley Reception: February 5, 2015 6:00 – 9:00 PM Ray Street Reception: February 6, 2015 6:00 – 9:00 PM.

Prior to that, it was exhibited in the gallery of a legendary recording studio in San Francisco, Studio Trilogy in 2011:

Studio Trilogy, San Francisco _ 3591

Featured Oil Painting “Upstream”

Last week, I shipped to Seattle my 2008 oil painting, Upstream, which has been selected for the juried show, 2014 Evergreen Association of Fine Arts (EAFA) Open Exhibition, at EAFA Gallery in the Seattle Design Center (5701 Sixth Avenue South, Suite P292, Seattle, WA 98108).

This modest painting, measured 24″ by 18″, semi-abstract in style, clearly influenced by Chinese ink painting, depicts a fish or two struggles to swim upstream, against the current.  It is fitting for the painting to travel to Seattle, because it was in that city when I witnessed an amazing salmon run in Chittenden Locks Fish Ladder several years ago.

Upstream / 逆流 / Gegen den Strom, Oil on Canvas, 24" x 18", Completed in 2008

Upstream / 逆流 / Gegen den Strom
Oil on Canvas
24″ x 18″
Completed in 2008

This painting was not a frank documentation of that fish ladder scene; rather, when I painted it, I was trying to capture a free spirit, a spirit to overcome adversaries.  I deliberated chose a black and white color scheme, and a bold, almost abstract outline, as I was mostly interested in something elemental, less representational.

This work surely has a charmed life and earned a fair bit of recognitions – in 2009, it was published in The William and Mary Review by The College of William and Mary, Virginia, Volume 47.