The inspiration of my 2017 oil painting, Autumns Impression was a photo I chance encountered – a room of eerie green light, resembling electric currents, against a background of a irregular pattern of wavering pink tiles. Besides the striking color palette, I was also intrigued by the shifting spatial relationship between the light and the background, thus moved to commit my appreciation to canvas.
Naturally, I would not ape the photograph; rather, the photo served as a springboard for me to “record” my vision. The painting soon departed from the electric glow, and morphed into an impressionistic abstract landscape, and reached a state that I could stop and consider the project complete, though the painting was not truly satisfying.
With layers of additional paints applied to the canvas, it moved further away from the inspiration and my initial attempt. Now, the colors of painting somewhat recalled what I saw in Yosemite National Park I visited last fall, therefore, a new resolution presented itself and I happily complied.
I managed to find the good balance of recalling the spirit of a slightly unhinged forest or meadow, softened by some darting patches of rather joyous colors, without being slavishly realistic. It’s a recollection of memories and emotions. The spatial relationship of many elements and colors of the painting, though not the same as the photograph, was also similarly intriguing.