Featured Oil Painting “Upstream”

Last week, I shipped to Seattle my 2008 oil painting, Upstream, which has been selected for the juried show, 2014 Evergreen Association of Fine Arts (EAFA) Open Exhibition, at EAFA Gallery in the Seattle Design Center (5701 Sixth Avenue South, Suite P292, Seattle, WA 98108).

This modest painting, measured 24″ by 18″, semi-abstract in style, clearly influenced by Chinese ink painting, depicts a fish or two struggles to swim upstream, against the current.  It is fitting for the painting to travel to Seattle, because it was in that city when I witnessed an amazing salmon run in Chittenden Locks Fish Ladder several years ago.

Upstream / 逆流 / Gegen den Strom, Oil on Canvas, 24" x 18", Completed in 2008
Upstream
oil on canvas, 24″x18″, 2008

This painting was not a frank documentation of that fish ladder scene; rather, when I painted it, I was trying to capture a free spirit, a spirit to overcome adversaries.  I deliberated chose a black and white color scheme, and a bold, almost abstract outline, as I was mostly interested in something elemental, less representational.

This work surely has a charmed life and earned a fair bit of recognitions – in 2009, it was published in The William and Mary Review by The College of William and Mary, Virginia, Volume 47.

Featured Oil Painting “July Meteors”

July Meteors / 七月流火 / Juli Meteoren, Oil on Canvas, 20" x 16", Completed in 2014
July Meteros
oil on canvas, 20″x16″, 2014

The title of this painting, July Meteors, originates from a Chinese phrase, 七月流火, which means that in July, when stars move westbound, cooler weather arrives soon; I have always been drawn to the mystic and somewhat fatalistic image of this concise yet profound phrase, without much understanding.

Right before the Fourth of July this year, suddenly there was some unexpected disturbances took place in my life and I was mostly assailed by shock and dismay, out of all things, and soon I was enveloped in a chill, much colder than the already too cool San Francisco summer.

It was the realization of abrupt and decisive change caused me much alarm and disquietness and then I suddenly understand the meaning of that phrase, and the helplessness sedimented through thousands years of valiant and often futile struggle, and composed this rather evocative abstract piece, to channel my compound feelings.

I entered this piece for a juried exhibition and silent auction at Berkeley Art Center and it was accepted for the event.

Exhibition: October 18-25, 2014
Gallery hours: Wednesday – Sunday 11:00am – 5:00pm

Silent Auction Fundraiser:
Saturday, October 25, 5-9 pm
– VIP Reception 5-6 pm $70 VIP Ticket
– Auction Main Event: 6-9 pm $40 Auction Ticket