Crisp and Somber “Drifting”

Drifting is a self-portrait that captures myself sitting on the bow of a small rowboat, which gently rocked in a bay, with a small vegetated island lurking in the back.

The tip of the bow, the outstretched or bent angular legs and arms, and above all, and the figure sitting on top of the boat, jointly or separately formed several intricately nested and well-balanced triangles. Yet, the usual stability associated with such triangular composition was negated somewhat by the tilting boat; one could feel the swaying of the small boat, and the longer one stares at this painting, the more likely one feels the onset of seasickness.

My younger self, eyes cast down, lost in thoughts, doubtful and a bit rueful, manifested the angst of youth, of an era, of a nation. The frostiness of this painting, awash with crisp light and dominated by a distancing pale blue shade, was punctuated only by the wine-red swimming trunk, which provided a small gesture of warmth in the otherwise thorough coolness.

Drifting / 漂流 / Treiben
Drifting
30” x 40”
Oil on Canvas
Completed in 2001

Disquieting Coda – “Postscript”

2020 was such a distressing year that we all hoped to close the page in earnest. Yet, when almost halfway into 2021, we are still fighting to escape from the dark shadow 2020 cast, constantly adjusting or expanding our traumatic memories, by generating sobering Postscript, which was the title of my new self-portrait, recording such an emotional journey of mine in that eventual year and beyond.

Postscript - 後記 - Nachtrag
Postscript
28” x 22”
Oil on Canvas
Completed in 2021

Postscript was published by Artistonish, Issue 8, March 2021