When I made figurative paintings, I was often drawn to unusual and striking settings, manifested in my 2020 oil painting Subterrane. This urban painting featured a young man in red and blue, standing in the foreground of a dark underpass, whose massiveness dwarfed and weighted down the slight person who peered at the viewers quizzically and uncertainly. Through the far end of the structure, bright light penetrated into the gloomy underpass and shone the ceiling, the floor, and the tilting walls in bold gestures. In complementary colors, some trees and block buildings they protected could be gleaned at the opening of the structure, counterbalancing and stabilizing the hesitant figure, whose hunched posture suggested something unsettling within.
oil on canvas