“White Dress” – Beginning of an Ongoing Series

My still life oil painting, “White Dress”, was inspired by a vision of a tiny white dress floating in a vast open sky.

While working on the painting, I managed to make the delicate-looking dress full of free-spirit and bravura, as it floated against an intense red backdrop, whose hues shifted and varied mercurially, like raging flames. Small, and delicate, yet the small white dress flew on, nonchalantly, unconcerned with its own vulnerability, however threatened by the menacing environ.

The success of this painting gave me an impetus to continue the probe of the psyche of a personified white dress, and embarked on a journey of making a series of white dresses, objects I judged perfect to reflect or stand in as the bodies they are to clothe, as documented in this article: “White Dress” Series Continues – A New Drawing and a New Painting.

This painting was also part of my Apocalypse Series.

It was selected for juried exhibitions at 4th National Juried Exhibition, Prince Street Gallery, Chelsea, Manhattan, New York, 12 – 30 July 2011, and ViewPoint 2007, 39th Annual National Juried Art Competition, Cincinnati Art Club, Ohio, November 2007.

Oil Painting “Arabesque”

The medium or media we choose to convey our deepest feelings and expressions, etc., however competent, can never fully convey the whole complicated concepts our brain formed mysteriously, thus the endless striving to meet the challenge, to do a better job still in the next given opportunity, thus the hunger to develop and grow as an artist, be it visual, musical compositional or a writing kind.

It also occurs often enough that one form of artistic creation, spurs on the re-interpretation with another media of either the whole story or a fleeting moment, not necessarily to prove a better job can be done; rather, to add another dimension to the engaging concept while hoping to complement the original.

I have been stimulated, on multiple occasions, by novels I read, sometimes the whole atmosphere of the book, such as Blindness by José Saramago, or sometimes, just a specific passage which may not even be pivotal in the whole scheme, such as my newly completed oil painting, Arabesque, inspired by a passage from The Known World by Edward P. Jones: “… looked over at the open chiffarobe [sic], whose door was broken and so would never close properly, looked at the black dress hanging there. It seemed to have its own life, so much life that it could have come down and walked over and placed itself over her body. Fastened itself.”

Arabesque / 阿拉伯風 / Arabeske, Oil on Canvas, 28" x 22", Completed in 2013

Arabesque / 阿拉伯風 / Arabeske
Oil on Canvas
28″ x 22″
Completed in 2013

I actually was quite stirred by the passage and the image just flooded into my mind. Incidentally, this painting also fell into a painting scheme of mine – I have been working on a series of “White Dresses”, which I saw as both liberated and restricted, at once individual and impersonal, simultaneously beautiful and sinister. Now it started the companion series “Black Dress”.

9 Paintings and 3 Installations Completed in 2013 (part 1 of 2)